Kind of omnipresent in America for a good 13 years there. Ryley Walker: I think anyone else my age just heard them on the radio a shit-ton. Walker swings by NYC at Baby’s All Right on December 14.ĪdHoc: What was your introduction to Dave Matthews Band? What’s been the extent of your fandom? We talked with Walker over email while he was on tour in Europe to learn whether this latest record was yet another gag, or something closer to a loving tribute. So it should come as no surprise that just six months after dropping the intensely personal Deafman’s Glance, Walker has released The Lillywhite Sessions, a loving, song-by-song reimagining of a lost Dave Matthews Band record. After all, this is the same guy whose review of Leonard Cohen, upon listening to the critically adored songwriter for the first time, was “fuck this guy.” It’s “smart” music that sometimes delightfully clashes with Walker’s waggish, “I like what I like” persona. With each record, the Chicago artist expands the conventions of his songwriting, experimenting with free jazz, psychedelia, Americana, and fuzzed-out rock. Walker has made his name as a prolific, folk shapeshifter whose prowess on guitar has always been central to his appeal. Find his itinerary below.The Chicago folk musician explains the concept behind his absurd-but-beautiful reworking of The Lillywhite Sessions.įor someone who seems to really relish in being a total goofball online, Ryley Walker approaches music with an endearing sincerity. With so much new music support, Walker has a huge tour schedule set for the rest of the year. Ryley Walker The Lillywhite Sessions Album Cover Art Artwork Dave Matthews Band 1 record with Come Tomorrow, after all.)Īs a first listen to his version of The Lillywhite Sessions, Walker has shared his flittering rendition of opener “Busted Stuff”. (DMB did just score a record-setting seventh consecutive No. The results suggest perhaps Matthews’ songwriting deserves more credit than tastemakers give it. Walker has rearranged the songs in his own jazz-tinged and breathy interpretations alongside frequent collaborators Andrew Scott Young and Ryan Jewell. His version of The Lillywhite Sessions is a “powerful, heartfelt meditation on the twists and turns of an individual’s musical journey across a life of enthusiastic and curious listening,” according to a press release. Now, Walker is revisiting the bootleg album with his own unique sensibilities. Many of the songs were later re-recorded for 2002’s Busted Stuff. However, the band and label decided to shelve the songs - Matthews instead wrote Everyday alongside producer Glen Ballard - until they were leaked via Napster as The Lillywhite Sessions. Recorded between 19, the sessions with producer Steve Lillywhite were intended to serve as DMB’s follow-up to their third full-length, Before These Crowded Streets. In an attempt to free himself from shame and embrace the validity of his youthful fascination with the group, Walker has announced a full covers album of DMB’s lost 2001 LP, The Lillywhite Sessions. For Chicago experimentalist Ryley Walker, that hidden truth is that one of pop-rock’s most pilloried yet popular superstars, Dave Matthews Band, actually makes up the foundation of his own musical journey. No matter how hip we try to appear, we all have some dark corner of our formative years that we try to keep secret from the world.
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